We are enormously proud to announce REWORK_ (Philip Glass Remixed). This App Album takes the incredible remix album made in collaboration with Beck that was released last month, and gives it a feature-length interactive visual treatment.

The “Passion Pit: Gossamer” App is is a new interactive music app for iPad and iPhone released in conjunction with their new album Gossamer. We started with a project at the Webby Awards a couple months ago, doing a video backdrop to their new single “Take a Walk.”

MotionPhone, a new app for the iPhone and iPad, enables a unique form of visual communication, allowing people to create animations together on iPads and iPhones. The app, created by Scott Snibbe Studio, is the company’s first release since producing Björk’s groundbreaking Biophilia App Album last year, and is a similarly innovative combination of interactive visuals with music.

MotionPhone is now available as an app for the iPad and iPhone. The app lets people create abstract animations together over a network, choosing colors, shapes, and forms that follow their fingers’ most subtle movements. By moving again-and-again in the same animated canvas, people can create layers and rhythms of abstract form and color, much like musicians layer track after track of audio in the studio sessions.

After fifteen months of development, and three months of teasing, Björk’s full Biophilia App Albumis now available in the iTunes App Store – the world’s first App Album. Enjoy the six new apps: Thunderbolt, Sacrifice, Mutual Core, Hollow, Solstice, and Dark Matter, as well as the already-released Virus, Moon, and Crystalline.

After more than a year’s stealthy work–from Iceland to Brooklyn, London, Paris, and Cupertino, not necessarily in order of glamour–it’s been exciting to see Björk’s Biophilia App Album reach the world. Today, Biophilia’s second interactive single, Virus, is available from within the Biophilia mother app. If you don’t have Biophilia, which is free, download it now from the iTunes App Storeand watch the preview below:

It was 1989 and I was roundly ignoring a verdant spring day in the HVAC hermitage of Brown University’s Computer Science Lab, when Henry Kaufman yanked me up from my workstation to say I must see Merce Cunningham’s dance company perform. Who’s that? I blurted to my friend as he pulled me out the lab’s card-keyed door.

Over the past few days my first three apps became available on the iTunes store: Gravilux, Bubble Harp, and Antograph. I’ve been dreaming of this day for twenty years: a day when, for the first time, we can enjoy interactive art as a media commodity no different from books, music, and movies. But is there a market for this new medium?